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RED KOMODO 6K Production Pack

SKU: 1000009253

Compact size / 6K S35 Sensor / Expander Module / With CFAST media

Available in about 5-10 days.
‎zł 46,707.41 ‎zł 37,973.50

Expected availability: second half of the November 2020

KOMODO PRODUCTION PACK
SKU#: 710-0340

KOMODO 6K is the latest breakthrough product in RED's long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario.

The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. KOMODO also has a DC IN power port and can also be powered using two Canon BP style batteries.

GLOBAL SHUTTER
Capture every movement, burst, and flash without sacrificing an ounce of dynamic range or overall image quality.

MOVEMENT
Capture fast-moving action like it’s meant to be captured. No blurred or curved lines. Just perfect pixels in every shot.

FLASH
The KOMODO 6k sensor isn't phased by quick bursts of light like strobes or lightning, so users never have to compromise getting the shot they want.

DYNAMIC RANGE
KOMODO stays true to RED’s reputation and heritage of unrivaled dynamic range. Capture every detail from the most cinematic shots

VFX
No rolling shutter artifacts means less time fixing footage for camera tracking/match-move. Saving valuable time and money in post-production and VFX.

REDCODE
The latest evolution of REDCODE is optimized for KOMODO. Allowing users to continue unlocking unbelievable image capture potential and creative flexibility with a new simplified user experience.

KOMODO R3D SETTINGS:
HQ- VFX, Extreme-Detail Scenes, and Stils from Motion
MQ- Cinema (Non-FX) And High-End TV
LQ- TV, Online Content, Documentary, Interviews, and Long Takes

6K Resolution
Shooting on a bigger canvas allows creators to unlock more creative flexibility with benefits such as stabilization, reframing, and more.

4K OUTPUT
Whether on set or online, take advantage of live 4k monitoring output to to review content or stream.

MEDIA
Cfast 2.0 media allows users to use a widely accessible, standardized, and reliable media source

BATTERIES
KOMODO uses either canon BP955 (4900mah) or BP975 (730mah), allowing users to choose an industry standard and widely relied-upon power source

Included:

  • KOMODO™ 6K Camera System
  • Outrigger Handle​
  • KOMODO™ Wing Grip
  • KOMODO™ Expander Module
  • RED® PRO CFast 512GB
  • RED® CFast 2.0 Card Reader
  • RED® PTap-to-Power Cable
  • Canon Drop-In Clear Filter
  • Canon RF to EF Adapter w/ Variable ND Filter
  • 1-Year Standard Warranty

 

Technical Specification

SENSOR TYPE
KOMODO™ 19.9 MP Super 35mm Global Shutter CMOS
EFFECTIVE PIXELS
6144 x 3240
SENSOR SIZE
27.03 mm x 14.26 mm (Diagonal: 30.56mm)
DYNAMIC RANGE
16+ Stops
MOUNT TYPE
RF mount Accepts Canon RF mount-based lens adaptors for diverse lens choices
Supports Canon EF with full electronic communication via compatible Canon RF mount adapters, and supports mechanically operated RF lenses (electronic control of Canon RF lenses not supported at this time) [1]
MAX DATA RATES
Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards [1]
REDCODE® RAW MAX FRAME RATES
40 fps at 6K 17:9 (6144 x 3240)
48 fps at 5K 17:9 (5120 x 2700)
60 fps at 4K 17:9 (4096 x 2160)
120 fps at 2K 17:9 (2048 x 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE)
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
BEST AVAILABLE REDCODE® SETTINGS
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps
REDCODE® RAW ACQUISITION FORMATS2
6K 17:9 (6144 x 3240), 2.4:1 and 16:9
5K 17:9 (5120 x 2700)
4K 17:9 (4096 x 2160)
2K 17:9 (2048 x 1080)
APPLE PRORES
4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps
2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps
CONSTRUCTION
Aluminum Alloy
WEIGHT
952 g (without body cap and Cfast card)
BATTERY TYPE
Two slots for BP-9XX series batteries
DC POWER INPUT
+7 to +17 V DC via the integrated 2-pin DC-IN port
Operating Temperature
0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)
STORAGE RELATIVE HUMIDITY
0% to 85% non-condensing
COLOR MANAGEMENT
Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs
Supports import of CDLs
AUDIO
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz
REMOTE CONTROL
WiFi for camera control via interchangeable antenna with SMA connection
Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port
Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed
MONITOR OUTPUTS
Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS
Integrated 2.9" 1440x1440 touchscreen LCD with preview and camera control
Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framing
RED CONTROL Access full camera controls and live preview from iOS or Android devices.
Available from the Apple App Store and Google Play Store (coming soon). RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separeately).

1. For more information on compatible accessories, go to red.com/third-party-accessories

Tech specs reflect both current and projected information. Everything is subject to change.

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