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RED RANGER MONSTRO 8K VV Kit (V-Lock)

SKU: 1000008877

Monstro 8K VV / Integrated I/O / Wider power input / With 7" Monitor

Dostępność 15-20 dni.
387 568,08 ‎zł 315 096,00 ‎zł

RED RANGER MONSTRO 8K VV KIT (V-MOUNT)
SKU#: 710-0321

RED's RANGER is an integrated Large Format 8K camera system offering an all-in-one system for production use. It features all of the benefits of the MONSTRO 8K VV sensor within a less complex platform for filmmakers. Features like integrated I/O's, 24V power out, shimmed PL Mount and improved thermal performance offer unmatched versatility as well as peace of mind in challenging shooting environments. The camera will ship complete with necessary rigging and support for improved set-up time.

RANGER is capable of handling the rigorous strain and robust power needs of high-end studio productions. Supporting wide input voltage (11.5V to 32V) and more independent SDI and AUX power outputs, as well as an integrated XLR audio input. The camera also boasts a larger fan for quieter and more efficient temperature management.

RANGER FEATURES:

  • Integrated I/O’s
  • Three SDI outputs (two mirrored and one independent)
  • Support for wider input voltage (11.5-32V)
  • 24V & 12V power outs (two of each)
  • 12V P-Tap port
  • Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable)
  • Genlock, timecode, USB, and control
  • Shimmed PL mount
  • Large diameter fan provides improved thermal performance
  • Available in V-Lock or Gold Mount variants

Included:

  • PL lens mount with shims
  • Production top handle
  • Two 15mm LWS rod brackets
  • 7" RED PRO Touch with 9" ARM
  • 24V AC adapter with cable
  • Hex and Torx tools
  • BRAIN case

Technical Specification:

SENSOR TYPE MONSTRO
35.4 Megapixel CMOS
EFFECTIVE PIXELS
8192 × 4320
SENSOR SIZE
40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
DYNAMIC RANGE
17+ stops
MAX DATA RATES
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES
1 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES
(PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS
RANGE FROM 2:1 UP TO 22:11 5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION
Aluminum Alloy
WEIGHT
7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)
DC IN POWER INPUT
11.5 V DC to 32 V DC
OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY
0% to 85% non-condensing
COLOR MANAGEMENT
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel 5-pin XLR with preamplifiers, uncompressed, 24-bit 48 kHz
REMOTE CONTROL
External R.C.P. WiFi antenna with SMA connector Ethernet, RS232, and GPI Trigger
MONITOR OUTPUTS
3G-SDI (HD-SDI) and MON-1 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.
REDCINE-X PRO DELIVERY FORMATS 4K:
DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

Tech specs reflect both current and projected information. Everything is subject to change.

 

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